- Associate Professor
- Media History
- Media, Labor, and the Economy
- Cultural Studies
- Industrial, Institutional, and Useful Media
- Preservation and Archives Studies
- Communication Studies
- Ph.D. University of Wisconsin, Madison
Kit Hughes is Associate Professor of Film and Media Studies. She specializes in useful and workplace media, as well as histories of technology. Her book, Television at Work, explores how American business developed workplace television as a medium of industrial efficiency, ideological orientation, and corporate expansion. Her current work explores how the economy is made meaningful in both institutional and popular media.
Her research on sponsored film, workplace media, early video formats, and digital humanities methods can be found in a range of journals and edited collections, including Film History, Media, Culture & Society, Television & New Media, The Arclight Guidebook, Media Industries Journal, and Film Criticism. Her article in American Archivist on cultural studies approaches to appraisal won the 2014 Ernst Posner Award for most outstanding article published by the journal that year.
Hughes has contributed to several media history digital humanities projects, including Unlocking the Airwaves, Project Arclight, Media History Digital Library, and Lantern, the last of which was recognized with the 2014 Society for Cinema and Media Studies Anne Friedberg Innovative Scholarship Award.
From 2019-2022, Hughes served as lead Humanities Fellow in the College of Liberal Arts. Prior to joining CSU, she taught at Miami University, worked as an archivist at the Wisconsin Center for Film and Theater Research, and volunteered as an AmeriCorps VISTA in Baltimore, Maryland.
2020. <strong>Kit</strong> <strong>Hughes</strong>, <a href="https://global.oup.com/academic/product/television-at-work-9780190855796?cc=us&lang=en&"><em>Television at Work: Industrial Media and American Labor</em></a>. New York: Oxford University Press.
2020. <strong>Kit Hughes</strong>, <a href="https://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0327.xml">Industrial, Institutional and Educational Television and Video</a>. Oxford Bibliographies in Cinema and Media Studies
2020. <strong>Kit Hughes</strong>, “Market Research as Portraiture: Thomas Hope Sketches the Audiovisual Industry, <em>The Moving Image</em> 19, no. 2. 1-25.
2019. <strong>Kit Hughes</strong>, “Developing the student-citizen of finance: sponsored film at the New York Stock Exchange, 1947–1973," <em>Historical Journal of Film, Radio and Television</em>. 40, no. 2. 325-348.
2017. <strong>Kit Hughes</strong>, “Disposable: Useful Cinema on Early Television,” <em>Critical Studies in Television</em>. 12, no. 2. 102-120.
2016. <strong>Kit Hughes</strong>, “Record/Film/Book/Interactive TV: EVR as Threshold Format,” <em>Television and New Media</em>. 17, no. 1. 44-61. Special Section: Sociotechnical Perspectives.
2016. <strong>Kit Hughes</strong>, “Field Sketches with Arclight: Mapping the Industrial Film Sector” in <em>Arclight Guidebook to Media History and the Digital Humanities</em>. Eds. Eric Hoyt and Charles Acland. Sussex: REFRAME Books.
2015. <strong>Kit Hughes</strong>, Eric Hoyt, Derek Long, Kevin Ponto, and Tony Tran, “<a href="http://www.mediaindustriesjournal.org/index.php/mij/article/view/128/182">Hacking Radio History’s Data: Station Call Signs, Digitized Magazines, and Scaled Entity Search</a>,” <em>Media Industries Journal</em>. 2, no. 2.
2015. <strong>Kit Hughes</strong>, “‘For Pete’s sake, I’m not trying to entertain these people’: Film and Franchising at International Harvester,” F<em>ilm History</em> 27, no. 3. 41-72.
2014. <strong>Kit Hughes</strong>, “‘Work/place’ Media: Locating Laboring Audiences,” <em>Media, Culture and Society</em>. 36, no. 5 (July): 644-660.
2014. <strong>Kit Hughes</strong>, “Appraisal as Cartography: Cultural Studies in the Archive,” <em>American Archivist.</em> 77, no. 1 (Spring-Summer): 270-296.
<li>Winner of Fellows’ Ernst Posner Award for most outstanding essay to appear in <em>American Archivist</em> in 2014.</li>
2011. <strong>Kit Hughes</strong>, “Ailing Screens, Viral Video: Technological Ghosts in Kyoshi Kurosawa’s <em>Pulse</em>,” <em>Film Criticism</em>. (36.2: Winter): 22-42.
Media and the Economy (Graduate Seminar – SPCM 792C) Media and the Economy (Graduate Seminar – SPCM 792C)
Media and Meaningful War (SPCM 497 Capstone)
Theories and Methods of Archival Research (Graduate Seminar, SPCM 792C)Theories and Methods of Archival Research (Graduate Seminar, SPCM 792C)
Evaluating Contemporary Film (SPCM 350)
Evaluating Contemporary Television (SPCM 341)